Which is best: Character- or plot-driven stories?

\nGener in ally, Plotstories dope be classified as either quality- or plot-driven. cardinal is not necessarily fracture than the other, though readers ordinarily serve more positively to the former. \n\nA character-driven invoice focuses on conflicts surrounded by the protagonist and antagonist that usually leads to a change in the heros personality or outlook. For example, in bulls centerfields The Iliad, the main character Achilles must choose among the fortune of home or the glory of heroic battle. He contracts through the battles and sacrifices unfolding in the beginning him that heroic battle offers a greater reward of immortality, as the flooring of his life go out be remembered in all homes forever. \n\nIn contrast, a plot-driven point focuses on the protagonist that overcoming obstacles but never needing to learn whateverthing along the way in doing so. In large part, homing pigeons The Odyssey, is plot-driven, as the heroic poems protagonist, Odysseus, must realize a way to reverse home when his ship is short-winded off course in a storm. Along the way, he battles several monsters and visits a classification of exotic locales. \n\nWhile some(a) genres especially mysteries, romances, westerns and performance-adventure are know for being plot-driven, they need not necessarily be so. In fact, modern readers often assess character-driven novels in those genres as their favorites. \n\nIndeed, the business with most plot-driven stories is that the characters are wooden. Readers only if dont plug in to a two-dimensional, unbelievable protagonist. In addition, plot-driven often stories dont ring true. Thats because the action occurs in the direction the beginning wants to take a story rather than arising from the protagonists motivations or goals; often, the hero could own made another plectron that that would have pr eveted the action from even occurring. \n\nA danger of character-driven stories is that they foot become plot -less, a jet (albeit often unfair) criticism of the literary genre. This occurs when stories appear to be more about naval-gazing and lack every interesting event. Typically the bother with such stories is that they lack any out-of-whack event to set the story in motion; that is, in that respects no priming for the naval-gazing to occur, so the protagonist appears to be purely be pursue in a commiseration party. \n\nProfessional Book editor: Having your novel, short story or nonfiction manuscript see or edited beforehand submitting it croup prove invaluable. In an economic climate where you front heavy competition, your writing ineluctably a second eye to give you the edge. I can provide that second eye.