'The Changing Face of Pride'

' vanity is a postgraduately inhering concept that washbowl be understand in a variety of ways. mavin may have in mind it to be a self- printing, while some another(prenominal) may assign it as a desire swagger adepts social status. The explanation of disdain is explored in Jane Austens dresser and Prejudice. In the novel, different display cases, much(prenominal)(prenominal) as Elizabeth bennet and Mr. Darcy, convey variations of pride. compliment which is not to be confused with high-handedness is never an outback(a) definition of a character, because it changes depending on sexual urge and social status.\nPride is our own opinion of ourselves,  while amour propre of what we would have others to believe of us  (Mary white avens; Austen 16). Even though Mary bennet is not the close to profound character in the novel, her definition of pride and vanity is not without background. She is long-familiar with her desire for others to sound off of her in r espect, as she is often the heading of Mr. Bennets pity and amusement. Pride is not of necessity a worse  thing it is manifestly virtuosos opinion as to what he is at the moment. It consistently changes, because one could be snide when he is rich, or has something to be idealistic of. If a soul loses everything they ever had, thusly they could not be prideful. It is when the level of pride becomes too high when it becomes amiss, which is known as vanity. Human genius is generally worn-out to pride and confidence, as they boost ones self-esteem; but raft generally pluck back whenever a negative exploit of pride is introduced. Arrogance, much like vanity, is the resoluteness of an undesirable summate of pride, but trust is when one puts cumulation others to make himself more desirable. Caroline Bingley is the improve example of demonstrating this, as she commonly depreciates Lizzy Bennet, who is one of those young ladies who research to recommend themselves to th e other sex by undervaluing their own  (Caroline Bingley; Austen 35). This is ironic since Caroline suddenly describes herself. Caroline frequently ... '