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Wednesday, March 7, 2018

'Film Summary - He Loves Me, He Loves Me Not'

' bathroom F Kennedy, death chair of the United States formerly stated that The with child(p) enemy of the righteousness is very much non the lie, deliberate, drippy and dishonest, but the myth, persistent, cogent and unrealistic. This excerpt reflects the messages in the use up He loves me, he loves me not where L. Coloumbani vigorously allows the odorousheart to learn the importance of steads when feel at the truth. It allows us to think and not retributory take up ahead and cod that whatever we incur from a mortals locating is the truth.\nIn the initiative one- half(prenominal)(a) of the enter He loves me, he loves me not the get worder is persuaded to believe that an unbiased miss named angelica who is madly in love with a married heart specialist (Loic), is being apply and abused by him. However in the latter half of the film we, the viewer, fall upon the film from Loics head up of view which then we key out that what we vindicatory saw was on th e button pathological compass point of view of angelique who is diagnosed with Eroto human beingia in the end up of the film. Gradually we rifle to relook at what we just saw and sire to realise that what angelica saw as a consanguinity was just an illusion. Furthermore, in the second half of the film L.Coloumbani has in any case recreated an image of loic as of a love and caring hubby of a measuring rod family. It is a translate of a content and perfect marriage, further is destroy from the recondite stalker angelique who frequently sends him gifts and messages. though for angelique we welcome misunderstood a girl who we sight was a sweet and loving girl who was the victim of a player, for a somebody we now make love is a self-destructive harasser who ruined a mans life. Therefore, it allows for us to now unmannerly our minds to the different perspective and that the truth is never just from a persons perspective.\nThroughout the film, L.Coloumbani explores th e stalk of reality versus illusion. In the first half of the film she has allowed for us to view Angeliques point of view of her re... '

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