Macbeth and Feminism

Shakespeares Macbeth is a tragedy that embodies the polarities of male and female power, a bring on together which seems to dramatize the deep divisions that characterize male-female relationships in all his plays. As Janet Adelman writes, In the figures of Macbeth, gentlewoman Macbeth, and the witches, the play gives us images of a masculinity and a femininity that are terribly disturbed. At the comparable time, critics have tended to discuss the relationship between Macbeth and Lady Macbeth in a counselling that further highlights this division, viewing Macbeth as a victim of overpowering feminine influences that characterize the world close him, from the appearance of the bearded Witches at

the beginning of the play, to the presence of Lady Macbeth throughout. Sigmund Freud writes of Lady Macbeth, that her sole purpose throughout the play is that of overcoming the scruples of her intriguing and yet tender-minded husband...She is ready to sacrifice even her womanliness to her murderous intention... For many feminist critics, however, the opinion of Freud and other critics that Macbeth is merely a victim of feminine plotting is an unsatisfactory response to this play. On the most basic level, it is Macbeth who actually murders the king while Lady Macbeth is the matchless who cleans up the mess.

A more fruitful approach would be a closer examination of the different types of women who are being delineated throughout the play, rather than viewing the women en masse, as mathematical function of a dark and evil force ganging up on Macbeth. Indeed, feminist criticism can help to point the way towards a clearer understanding of the sort of society Shakespeare is portraying in this tragedy.

Terry Eagle ton points out his belief that the witches are the heroines of the effect,

As the most fertile force in the play, the witches inhabit...

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